Showing posts with label friday night lights. Show all posts
Showing posts with label friday night lights. Show all posts

Monday, March 26, 2012

Why did Disney think "John Carter" would be a hit?

You've probably read by now that "John Carter" is a box office bomb. It's been all over that Disney will lose $200 million dollars because of it. Normally, a movie like this would come and go after making a modest amount, but the fact that it cost so much to make means that all conversations about the movie will be about it's box office performance, not it's quality. I have to ask, though - why did Disney spend so much money on this movie? They must have thought it was a safe bet. But why?

"John Carter" is based on a series by Edgar Rice Burroughs, the writer who also created Tarzan. He introduces the character of John Carter in the "Barsoom" series, which began in 1912. It is very old-fashioned science fiction in that it romanticizes the previously mysterious and captivating planet of Mars. The movie tells the story of Carter, a Civil War veteran, who gets transported to Mars and tangled up in the conflicts of the planet's inhabitants.

The movie currently stands at a 51% on Rotten Tomatoes, with a painful 34% among Top Critics. The summary of critical opinion is that "while John Carter looks terrific and delivers its share of pulpy thrills, it also suffers from uneven pacing and occasionally incomprehensible plotting and characterization." Audiences weren't wowed by it either since it wasn't the smash anticipated. It's worth noting that sometimes movies do very well but are considered flops because they are being measured against the cost in making it. "John Carter," however, only made about $62 million stateside, which is not impressive at all. To give you some context for comparison, "21 Jump Street" has already made $71 million domestic, and even "Act of Valor" made $66 million domestic. "Safe House," which also received a 54% from Rotten Tomatoes, earned $122 million domestic.

So here lie the two big questions - why did Disney put so much faith in "John Carter" and why did it fail? First, let's address why Disney invested so much into it. Large-scale, sci-fi/action adventure movies can be very lucrative if they strike a chord with the viewing public. If you can build off of nostalgia for an established series of novels, even better. In the era of "Avatar," studios are willing to shell out the big bucks for movies with stellar visuals. Additionally, the Disney name still carries some weight when put before a film title. But in the end, "John Carter" didn't perform.

Like many people, I have a few opinions about why this is. First, there were no big names to draw in the crowds. If you know who Taylor Kitsch is at all, you probably know him as that guy who was on "Friday Night Lights." You know, that critically acclaimed show that no one watched. Between Sam Worthington, Channing Tatum, and now Taylor Kitsch, there seems to be a sale on bland hunks in Hollywood for leading roles. The rest of the cast is equally obscure, with the exception of Willem Dafoe. Although looking at the cast list, it's a veritable who's who of "that guys." It's filled with people who you probably recognize, but would never be able to identify by name. "Avatar" was led by two semi-nobodies, but you had the pedigree of James Cameron behind the picture. "John Carter" was directed by Andrew Stanton, an established Pixar director making his live-action debut here. "Mission: Impossible - Ghost Protocol" was the live-action debut of another Pixar man, Brad Bird. One of these men hit it big in live-action, and it ain't Stanton. Also, never underestimate the importance of good writing. Even if a movie looks amazing, if the story lacks any impact, its chances for success are slimmer.

A minor point I'd like to mention is the presence of the word "Disney" in the marketing campaign. The movie is PG-13, but the Disney label might keep some folks away. Disney is still associated with children's entertainment. My youth was the time of the Disney Renaissance, filled with brilliant children's movies, but they were still aimed at the younger crowd. If all you know about "John Carter" is that it's that Disney movie set on Mars, you're probably not going to be dying to see it, in my opinion. That's just not enough for true mass appeal. On this topic, I think the story itself isn't a big draw. The concept of "the mysterious Red planet" is very old-fashioned. Mars once set the literary world ablaze as writers' imaginations overflowed with possibilities for intelligent life in space. But it's 2012, and while Mars fiction will always be around, it doesn't have quite the same appeal as it did in the early 1900s when John Carter first set foot there in Burrough's novels. The concept just felt painfully antiquated. And if you don't have big stars or a well-known director/writer or a premise intriguing to the mainstream, maybe you can at least draw in the fans of the source material. To be perfectly honest, I had never heard of the John Carter novels before this movie came out. I'm positive there are many people like me who saw previews for this movie, a Disney sci-fi epic with a (still largely) unknown lead with a title like "John Carter," and barely registered it.

Whether it's due to all of my reasons or none of them, "John Carter" bombed big time. A sequel was planned, but it's not clear if that's going to happen or not. Despite plenty of source material to draw from, it's unlikely Disney will sink more money into this franchise.

Thursday, July 14, 2011

A look at the 2011 Emmy nominations

This morning the Emmy nominations were announced, and they were nothing super surprising. It had the usual nods to past-their-prime yet popular series and the requisite nod to one or two new cult shows.

Best Drama:

Boardwalk Empire
Friday Night Lights
Dexter
Game of Thrones
The Good Wife
Mad Men

I'm not sure if I'm surprised or not that "Justified" didn't sneak in there. While the performances were phenomenal, sometimes the story meandered and the female distractions on the show of the Winona variety didn't help. I am thrilled "The Walking Dead" didn't get a nod. Visually stunning, it just doesn't have the writing or acting to back it up. I don't quite get all the love for this show as it's always seemed cliche and bland to me.

Best Comedy:
Modern Family
30 Rock
Glee
The Office
The Big Bang Theory
Parks and Recreation

Yeah, I'm pretty ticked about the "Glee" nomination. I don't know what Emmy's problem is, but they seem to handle drama pretty well while having a hard time with comedy. They often repeatedly honor shows way past their prime which makes me feel like they don't even watch the shows regularly. "Community" and "Cougar Town" should be a slam dunk in this category. The inclusion of "Glee" over "Community" is, in my humble opinion, unforgivable. Kudos on the "Modern Family" love, though. I already foresee it winning again, as it should. It's one of the most consistent shows on this list.

Drama Actress:
Julianna Margulies, The Good Wife
Elisabeth Moss, Mad Men
Mariska Hargitay, Law & Order: SVU
Kathy Bates, Harry’s Law
Connie Britton, Friday Night Lights
Mireille Enos, The Killing.

I don't know who Mariska Hargitay is sleeping with to keep getting nominated every year. Probably the awards whore Tony Shaloub did. Anna Torv from "Fringe" should have taken that spot. Like John Noble, she ably handles two very different roles, displaying fantastic range. I'm really happy to see January Jones left out this time. After "X-Men: First Class," I'm convinced she, unlike Torv, does not have much range in her acting skills. I'm already predicting Margulies takes the award.

Comedy actor:
Steve Carell, The Office
Alec Baldwin, 30 Rock
Jim Parsons, Big Bang Theory
Matt LeBlanc, Episodes
Louis C.K., Louie
Johnny Galecki, Big Bang Theory

Drama actor:
Jon Hamm, Mad Men
Steve Buscemi, Boardwalk Empire
Kyle Chandler, Friday Night Lights
Michael C. Hall, Dexter
Hugh Laurie, House
Timothy Olyphant, Justified.

Nothing too bizarre here. In fact, were these practically the same nominations for the Golden Globes? No complaints on my part.

Comedy actress:
Tina Fey, 30 Rock
Edie Falco, Nurse Jackie
Amy Poehler, Parks and Recreation
Laura Linney, The Big C
Martha Plimpton, Raising Hope
Melissa McCarthy, Mike & Molly.

Supporting drama actor:
Andre Braugher, Men of a Certain Age
John Slattery, Mad Men
Alan Cumming, The Good Wife
Peter Dinklage, Game of Thrones
Josh Charles, The Good Wife
Walton Goggins, Justified.

While I don't think he had that much to do this year, I am beyond thrilled that Walton Goggins got a nomination. In some small way, it sort of kind of eases the pain of all the years he didn't get recognized for "The Shield." He owns any scene he's in and a nomination is well deserved. John Noble from "Fringe" should have been nominated, but I'm not entirely sure who to take off.

Supporting comedy actor:
Ty Burrell, Modern Family
Jesse Tyler Ferguson, Modern Family
Ed O’Neill, Modern Family
Eric Stonestreet, Modern Family
Jon Cryer, Two and a Half Men
Chris Colfer, Glee

I'll admit, I held out hope that Nolan Gould, the boy who plays Luke on "Modern Family" would get a nom. His comedic timing and delivery are perfect and he's often my favorite part of each episode. In lieu of him, I'm still cheering for Ty Burrell. He could split his own vote, though, considering all the (absolutely deserved) nominations for "Modern Family." Either Danny Pudi or Donald Glover from "Community" should have taken a spot. With so many standard sitcom characters around (the doofus, the horndog, the bimbo, the precocious kid), those two make a unique sitcom that much better with truly one-of-a-kind characters.

Supporting comedy actress:
Julie Bowen, Modern Family
Sofia Vergara, Modern Family
Jane Lynch, Glee
Betty White, Hot in Cleveland
Kristen Wiig, Saturday Night Live
Jane Krakowski, 30 Rock

Wow, they really dug deep for some nominations for this category and yet they still missed Busy Phillips' hilarious performance on "Cougar Town." She could have been the one-dimensional, stereotypical bimbo but she turns that character into so much more.

Supporting drama actress:
Archie Panjabi, The Good Wife
Kelly Macdonald, Boardwalk Empire
Christine Baranski, The Good Wife
Michelle Forbes, The Killing
Margo Martindale, Justified
Christina Hendricks, Mad Men.

I think there would have been riot if Martindale wasn't nominated. Furthermore, I think there might be a riot if she doesn't win. She was in a league of her own this year. I had no idea she could do what she did in making the truly terrifying mama bear of the Bennett clan.

As for the miniseries categories, it's really hard to take them seriously. I'm not saying there aren't worthy miniseries, but there are so few each year that they all get nominated because that's all there is to choose from.

Overall, I'd say the "Community" snubs bother me the most. I'd be okay if there was one or two noms just to acknowledge how great the underrated comedy is, but it was overlooked entirely. The Busy Phillips snub annoys me too, mainly because a lot of the actual nominees are in no way handing in better performances than her. The nomination that makes me the happiest is Walton Goggins for "Justified." It's nice to see a show sneak in there that doesn't have a rabid fan base like "Glee" to help put it in the public eye.

Okay, I lied. The snub that bothers me more than anything else is "Southland." Great cable shows without huge cult fanbases often get forgotten, but that doesn't mean they weren't great. Shawn Hatosy put in one of the best performances in drama television this year as Sammy Bryant, aka the detective having the worst year ever. Michael Cudlitz also stepped it up, portraying what could have been a one-note, gruff cop stereotype. Unlike "Community," it seems like the professional critical community forgot about "Southland" as well, despite more and more applauding it during its run.

At the end of the day, every year it's the same thing - I feel like the people voting in the Emmys barely watch TV.

Saturday, August 28, 2010

Some last minute, pre-Emmy Emmy thoughts

The Emmys are this Sunday and I'm actually happy with the nominations. Well, happier than I've been in past years. Since lists of nominees are posted all over the Internet, I'm just going to list the categories I'm going to comment on.

Outstanding Drama Series
Lost
Breaking Bad
Dexter
Mad Men
True Blood
The Good Wife

I think we can just give this one to "Lost" right now, since the Emmys love to give send-off awards for shows that are leaving and had a lasting impact on popular culture. I really hope they don't do this, as I think "Lost" has seen better days and was rewarded for those better days already. This most recent season was rushed, uneven, and rather unfocused. You could feel the writers trying to wrap up storylines as quickly as they could to appease fans when we now know that there was no master plan all along and they just made up most of their answers just for the sake of answering something. Now, I wanted answers and a satisfying conclusion, but "Lost" was at its best when the focus was entirely on the characters. I would love to see "Dexter" finally get its due, especially since it came off a stellar season. I would hate to see "Dexter" never win the Emmys it deserves because it was eclipsed by bigger pop culture sensations. "Breaking Bad" or "Mad Men" are possibilities, neither of which would upset me. They're both excellent shows and they deserve the critical praise they get. The Emmys love "Mad Men," so I wouldn't rule that out completely. "True Blood" getting nominated was enough to make me gag, but I don't anticipate an upset. I regret to say I've never seen "The Good Wife" and can't really comment on it either way.

Outstanding Actor in a Drama
Jon Hamm (Mad Men)
Kyle Chandler (Friday Night Lights)
Bryan Cranston (Breaking Bad)
Hugh Laurie (House MD)
Michael C Hall (Dexter)
Matthew Fox (Lost)

Hamm, Fox and Laurie are consistently good, but Hall and Cranston are in a league of their own, in my humble opinion. I would bet Chandler is in the latter group as well, but I've never seen "Friday Night Lights." I'm a bad TV addict for this, I know, but all the critical praise in the world doesn't make me interested in some Texas football family small-town drama. Cranston would make me happiest for the win for his work on "Breaking Bad." I finally caught up with this show this summer and he is truly remarkable in that role.

Outstanding Guest Actor in a Drama Series
Beau Bridges (The Closer)
Ted Danson (Damages)
John Lithgow (Dexter)
Alan Cumming (The Good Wife)
Dylan Baker (The Good Wife)
Robert Morse (Mad Men)
Gregory Itzin (24)

I'm still biased because of my love of "Dexter," but this really should be John Lithgow's award. Critics and viewers alike were blown away by his role as the Trinity killer. He should win the award just for the Thanksgiving episode alone.

Outstanding Guest Actress in a Drama Series
Mary Kay Place (Big Love)
Sissy Spacek (Big Love)
Shirley Jones (The Cleaner)
Lily Tomlin (Damages)
Ann-Margret (Law & Order: SVU)
Elizabeth Mitchell (Lost)

The only reason I list this one is because of Elizabeth Mitchell's nomination. Seriously? I love her, and I loved her in past seasons, but did she even have fifteen minutes of screen time in the last season?

Outstanding Comedy
Glee
Modern Family
Curb Your Enthusiasm
Nurse Jackie
30 Rock
The Office

By now, everyone knows this is a race between "Modern Family" and "Glee." I can't shake the feeling that "Glee" is going to take it because of the media adoration, but "Modern Family" was consistently funny and well written. I'm no fan of "Glee," but I did watch most of the season in an effort to see what people love about it. I can understand its appeal for a certain demographic, but the show is very uneven and, with the exception of Jane Lynch's love-it-or-hate-it snarky bitch role, it's just not that funny.

Outstanding Actor in a Comedy
Larry David (Curb Your Enthusiasm)
Alec Baldwin (30 Rock)
Matthew Morrison (Glee)
Steve Carell (The Office)
Jim Parsons (The Big Bang Theory)
Tony Shalhoub (Monk)

I only posted this list because of the craziness that is Tony Shalhoub getting nominated again. Did "Monk" even air this year? I'm not as invested in the comedies as I am the dramas just by nature of what shows I watch, but I don't want to see him take this award one more time, even if it is the last time he could.

Outstanding Supporting Actor in a Comedy
Chris Colfer (Glee)
Neil Patrick Harris (How I Met Your Mother)
Jesse Tyler Ferguson (Modern Family)
Jon Cryer (Two and a Half Men)
Eric Stonestreet (Modern Family)
Ty Burrell (Modern Family)

Someone from "Two and a Half Men" must have some incriminating information or something, because someone has to be getting blackmailed for that show to keep getting Emmy recognition. There are a lot of people behind Colfer, and he is funny sometimes on that show, but I have a hard time getting past the character as it's such a complete and total stereotype walking. Same with Lea Michele and her character. I feel like people have pulled off their cliche characters better in other programs. I think this award should and probably will go to Ty Burrell for his work as Phil Dunphy. He nails that character, and much as I love Stonestreet, Burrell is the stand-out. The clever writing helps, but it would be nothing without Burrell's absolutely spot-on delivery.

I have nothing to say about reality, as I don't watch any, but I'm still really pissed that "Torchwood: Children of Earth" wasn't nominated for the miniseries category. I can't blame this on the Emmys, however, since The Powers That Be didn't submit "Torchwood" for consideration. I don't understand this for one second. The five-part miniseries was brilliant and deserves recognition. It should go down in television history as one of the best sci-fi programs ever just for the recent miniseries event.

As far as snubs go, "Cougar Town" is my most egregious snub. Busy Phillipps should have been nominated, without a doubt. Emmy voters should know better than to be turned off by a bad title. I'd also add "Ugly Betty" and, more specifically, Vanessa Williams to the snub list. The show had a creative resurgence in its last season and Williams was always excellent, as was Michael Urie. The Emmys keep giving "Monk" awards and even recognized Kristin Chenoweth's performance on the by-then deceased "Pushing Daisies" last year so "Ugly Betty" shouldn't have been overlooked just because it's over. It's also refreshing this year to see some deserved snubs, like "Grey's Anatomy" and "Desperate Housewives" being largely ignored. And rightly so. I love those shows still, but they didn't deserve nominations.

I'll most likely return with a post-Emmys article, reviewing what thrilled me and what enraged me. I'm not expecting much from the host this year, since it's Jimmy Fallon. But anyone is better than reality show hosts.

Thursday, May 6, 2010

"Chuck" - "That's us in 30 years"

Hooray! Finals are over and I can get back to focusing on what really matters: great TV. (I've got a lot of blogging to catch up on. I'm the catch-up girl. Not to be confused with the ketchup girl. [I love you Lorelai Gilmore]). "Chuck vs. the Role Models" was a nice break from studying. Some might call it a filler episode, as it was part of the additional episode order when they had to stretch out the season (you know, when NBC realized it was screwed and needed at least one show with a solid fan base). But I don't care - not every episode can be as pivotal as the last few. And at the end of the day, I just want more "Chuck." It's one of those shows I can just sit back and relax with. This week's fun guest stars were Fred Willard and Swoosie Kurtz. As a big fan of "Pushing Daisies," I loved hearing Kurtz say things like "don't be a booze snob." Along with the fact that Willard was just on "Modern Family," all I could think is "in 30 years, Sarah and Chuck are going to turn into Aunt Lily and Phil Dunphy's Dad."

The set-up of shadowing the almighty spy couple was a tad contrived, as was the General ordering Morgan trained, but I'm willing to overlook that. This is the kind of show where you suspend your belief and I think these things were completely within the show's established boundaries of craziness. You just knew something was up when the veteran spies "screwed up" the mission early on. You knew some sort of double-cross was going to happen and I initially thought they really had triple-crossed Chuck and Sarah in the end. It seemed logical: pretend to betray your younger partners, coax the bad guy out of hiding and into the open where you can nail him, then admit that it was the plan all along. But no, it was just a double-cross, but then they had a change of heart. I wasn't completely satisfied with the wrap-up of that conflict and I felt like Willard and Kurtz were a little underused, but it was still incredibly entertaining so I won't bother nitpicking here. In the end, Sarah and Chuck moved in together while getting a little warning from their would-be mentors: "The CIA has a way of breaking young idealists. Especially if they're in love."

Meanwhile, Casey and Morgan are going through their spy training, which was also pretty funny to watch. If nothing else, Morgan can BS his way out of a lot. And run. Is it weird that I was really really hoping "Wipe Out" would play as Morgan ran from the tiger, a la "The Sandlot?"

I'm liking how they're handling Ellie and Awesome. I thought their leaving would mean less of them, because I couldn't figure out how they would tie in an Africa storyline to the main stuff in Burbank. I'm assuming that maybe they were meant to be in Africa over the summer break, but when they got the additional episode order, they wrote in a storyline for them? Either way, I'm happy with how they handled it. Although I was really nervous they were going to work some sort of love triangle there after focusing on that one guy. It's hard to pull off love triangles, (Sarah-Chuck-Bryce=compelling, Sarah-Chuck-Shaw=meh) and even harder to do when the core couple is so...excellent. I'm ready to see where this dastardly plotline goes. Although, wouldn't Awesome and Ellie have been taking malaria pills and known that it was weird to get malaria anyway? Or does that just happen sometimes anyway? I'm no doctor. It's just wonderful to see Ellie and Awesome together and happy for the most part. (Sidenote: Awesome looked very nice in the rain. Can it please rain more on this show?)

Random other thoughts:
  • Ellie, with all your concerns about Africa and Doctors Without Borders, have you never seen "ER?"

  • Morgan's dream sequence. Absolutely loved it.

  • It's fun to see how much better Chuck has gotten at extemporaneous lying on a mission, but he's still the same old Chuck, evidenced by moments like....

  • ...the ordeal with the tiger. "I am not letting you shoot a tiger. They are endangered and majestic."

  • Did Sarah and Chuck really think handcuffs would hold two seasoned CIA agents? The second I saw that I was waiting for the moment they would escape.

  • Awesome's nickname from the native people, which translates loosely to "Doctor Super-Fantastic White Person." Genius.

  • And randomly, "Friday Night Lights" is still on? I kept seeing commercials for it during the break and was really surprised. If they can manage to keep that show on the air, surely they can keep "Chuck" around too.