Showing posts with label eli stone. Show all posts
Showing posts with label eli stone. Show all posts

Thursday, October 21, 2010

Why has this Fall TV season been so lackluster?

At first, I thought it was just my busier life this year that caused me to watch much less television lately. But then the other articles started up, asking why there are no break-out hits this year. It made me stop and think about this season and realize that it wasn't just me - there really aren't any big hits this year.
It's been a while, but it's been a long time since there was not a single new show I was excited about. I decided to drop "The Event" this week, "Nikita" never grabbed me, "Undercovers" just felt unnecessary with "Chuck" still around, "No Ordinary Family" sounded like a perfectly ordinary family drama, and I couldn't even bring myself to watch more procedurals. You want to know what my big, new obsession is this fall? "Six Feet Under." I recently acquired the DVDs and have been making my way through that show, effectively extinguishing any desire for a new show actually on the fall schedule. But I've turned to old cable shows because I just can't see beyond the flood of more and more procedurals. At some point, the American viewing public has to get sick of cops and lawyers, right? I'm fine if cops and lawyers are done well (like in "Southland") or with some interesting premise that hooks you ("Life on Mars" or "Eli Stone"), but the majority of shows out there are just run-of-the-mill, boring procedural shows. And I suppose a lot of the new fall shows are okay, but they aren't anything to get excited about. I remember how thrilling "Heroes" was in those early days, or how "Pushing Daisies" transported you into a fantasy world unlike any other, or how riveting "24" was every week, and I still get glimpses of the heartwarming enjoyable hour "Grey's Anatomy" used to be and still can be.

It's like "Lost" just left a huge void in quality TV and everyone is afraid to try anything big again. Although if they do try something big, they will be inevitably compared to "Lost," whether they intended to copy it or not. "Lost" was just such a big sensation among all demographics that I think TV is taking some time to collectively catch its breath. Also, as my new "Six Feet Under" love has noted, it's just easier to find quality television shows on cable networks. Cable networks still have freedoms that basic channels don't so they end up taking more risks, producing fewer shows but concentrating on making those few shows stellar. It's why a lot of good TV comes out of the UK - their seasons are short and they end the shows after only a few seasons. It may not be as satisfying in the short term, but in the long term, you realize that's why it was able to maintain its quality. Who knows, maybe a show like "Firefly" wouldn't have gone down in TV history as one of the greatest shows of all time if it had had more than one season to screw things up. Sure, there are some shows that can last a long time at a great level. "Supernatural" has had ups and downs, but I think it's one of the most consistently well written and acted shows on television now. But the lesson here is that the basic networks rarely take chances on something big, and more often than not, it doesn't pay off anyway.

So that's why I'm not blogging as much about TV as I wish I was. Long-term loves have been my focus as some shows, like "Fringe", have finally become great while others have always been great. It's also about that time when shows five or more seasons in experience a revitalization of creativity. But nothing new this fall has captured my attention, and that's really a shame because I'm not too hard to please when it comes to TV. I guess we'll all just hold on until next fall and hope someone, anyone, takes a gamble and brings us something great. It doesn't have to be the next "Lost." Just the next show that doesn't rehash the same formula we've seen a million times.

Monday, July 12, 2010

"Rizzoli & Isles" - everything I can't stand about procedurals

For the most part, I really can't stand procedurals. I don't understand how people can watch multiple "CSI"s or "Law & Order"s or how Mariska Hargitay can keep getting nominated for Emmys for a role on a procedural. It's a reliable formula, repetitive yet comfortable. It's hard for a network to take a chance on something different, especially when procedurals are so lucrative. For every "Glee," there's a hundred more "Pushing Daisies" or "Eli Stones." A network doesn't care how critically acclaimed a show is if there are no ratings to back it up.

Every single piece of promotion for the new TNT show "Rizzoli & Isles" makes me want to rip my hair out it frustrates me so much. First of all, it sounds like a complete rip-off of "Bones." And about a million other shows. How unique! You're pairing up a tough street-smart cop with a brainy scientist? But that will never work! They're complete opposites! Oh wait, but this time they're both women! On the plus side, I guess that counts out the requisite sexual tension between the lead characters, unless TNT feels like going nuts and making the most cliched concept into something totally different.

The character cliches are what bother me the most. You have the standard opposites attract cliches piled onto female cliches. On television and in movies, the only way a woman is a cop is if she is a tomboy who grew up with lots of brothers, was a military brat, is a lesbian, or has daddy issues. A recent promo in "People" magazine features an ad campaign with pictures of the two women as children with a description of their respective personalities. Rizzoli, the cop, loved "beating her brothers at basketball and armwrestling" as a kid. She liked "shooting a BB gun" and says "When I grow up, I want to find bad guys and put them in jail." On the other side of the page, we have Isles, who loves "reading and solving puzzles." She's the booksmart one who sees the world in scientific terms. She's socially awkward, naturally, but damn good at her work.

Cue the show. I bet there will be plenty of banter about how bizarre they find each others' way of viewing the world. I bet the streetsmart cop will say something humorous about how the other uses way too much unnecessary technical jargon. I bet the booksmart scientist will roll her eyes or make a humorous comment about her need to explain every tiny thing to her partner. I bet the cop will be brash and sometimes too reckless for her own good. I bet the scientist will be the cool-headed one who reminds her partner to calm down and look at the facts.

It's probably pretty obvious that I won't be watching this show, which debuts tonight at 10:00. It embodies every stereotype and cliche regarding cops and women that I hate about procedurals. I'm so sick of the booksmart/streetsmart clash of personalities partnership concept. It's been a long time since that concept was fresh and funny. Unlikely partners? Maybe if this was 1970. (The show gets one tiny bonus point for casting Lee Thompson Young. The famous Jett Jackson needs a better gig on TV these days, especially after "FlashForward" killed him off in such an annoying way.)